Title: Permanent Jet Lag
Author: A.N. Casey
Publisher: NineStar Press
Release Date: May 29, 2017
Heat Level: 1 - No Sex
Pairing: No Romance
Genre: Contemporary, literary, Student, family, coming of age, alcohol use, illness/disease, tear-jerker
SynopsisNineteen-year-old Lucas Burke prefers being alone. He likes the silence, and he loves not having to care about anyone else’s problems: the less he’s forced to feel, the better. But after a year of college-induced isolation from everyone he used to know, the wedding of a former classmate sends Lucas back home, and that means reconciling with a group of friends that now might as well be strangers. His sister hardly knows him, his “genius” best friend is nothing more than an addict, and his ex-boyfriend is still in a coma. All the while, wedding preparations send Lucas head first into a relationship with the groom’s best man—a recently cancer-free ex-Olympian who can’t stop talking. Lucas knows that if he wants to survive the summer, he’ll have to learn to be a friend again, but it doesn’t come easy, and it might already be too late.
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We are very lucky, because we have a great exclusive interview with this amazing autor!
What’s harder, naming your characters, creating the title for your book or the cover design process?
Naming my characters. I’m terrible with names and usually rely on friends to help me name them. I do like this part though, as it’s fun to play God for a bit and design a whole person: should their name have symbolic meaning, should it be ironic and mean something terribly different than who they are, etc. At the end of the day, a character’s name has very little to do with them and a lot to do with the people who gave them their name (parents, guardian, etc.), and so in giving them a name, you’re setting the scene for their childhood and their upbringing and taking your first step into their backstory. I often find that I have to change characters’ names after the story begins and I learn more about them.
How do you answer the question “Oh, you're an author...what do you write?"
“Books for LGBT youth” has become my quick go-to answer. It’s weird when you write contemporary because you don’t really have a quick answer like “medieval fantasy” and for the longest time I just said “I write about people” but I do believe I’ve found my “calling” of sorts, which is LGBT youth. Those are the readers I want to reach the most, the representation I want to see in literature.
What does your family think of your writing?
I don’t let my family read most of my writing. Don’t get me wrong, they’re incredibly supportive, and they’re always asking to read, but I’m always too nervous to show them. Mostly, this is because my mom has a tendency to assume everything is real and that any woman in any story is some representation of her (it never is). I keep trying to explain “fiction” but so far, no luck.
Tell us about your current work in process and what you’ve got planned for the future.
The book I’m working on now is called Count to Zero and is about three high school students who meet at a Youth Grieving Center. Basically, it’s all about loss: what it means to lose someone, what grieving looks like, in what ways is it acceptable to grieve—and how you’re supposed to handle all of that and still go to high school. I’ve just wrapped up the first draft of that and am diving into editing. I also have a book still rattling around in my head that I’m very excited to start writing which will be a modern love story between Icarus and Apollo (the sun he fell for).
We wish you the best from here, hoping to hear from you and your success soon, very, very soon. Good luck with this release, N.A Casey!
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And here, dear reader, you have an excerpt of this amazing book:
Permanent Jet Lag A.N. Casey © 2017 All Rights Reserved
96 Days Before On the last day of my freshman year of college, my parents—dressed head to toe in the obnoxious green and gold colors of my school—arrived on the threshold of my dorm room with five extra-large boxes for packing, a tin of mom-baked chocolate chip cookies to cure my assumed “home sick blues,” and two snippets of hometown gossip for my ears only. When you leave home for college, there’s a certain assumption that says you will learn to be independent. You do your own laundry, you buy your own meals, and your parents never come knocking on your door to ask if you’ve done your homework or to ground you for coming home past curfew. You’re alone—blissfully independent and free. My mother had other ideas. Ideas that filled the voicemail on my cell phone until I could no longer receive friends’ missed calls. Ideas that left a pile of cookie tins in the corner of the room and a dozen more care packages under the bed. Even now, as I finished the bulk of my packing, a poorly knit mom-made sweater hung limp over the side of the latest care package, threads unraveling and fraying in every direction with a note pinned to its sleeve with words I could not remember—words I likely never read. My roommate sat on the other side of the room upon his stripped-down bed, munching away at the first cookie handed to him. He wore a thick pair of headphones that flattened his usually unruly brown hair. Though the cord was not connected to anything, my mother seemed pleased with this sense of security and began her “top secret” gossip. As though my roommate would care at all about the small-town news of Franklin Creek, California. “Rylie Graham is getting married!” she squealed. Despite her rising age, my mother’s face still lit up with all the excitement and energy of the young woman I could just barely remember from the photographs on the walls at home. Today, my mother was plump and nearly always flushed in her cheeks. The freckles on her nose were faded underneath a splotchy tan that extended only to the bottom of her neck, and her clothes, though neatly pressed, still appeared crumpled by her slouch and the endless movement of her limbs. She went on and on about the wedding, the beautiful invitations, and the color schemes she hoped they’d use, how she could still remember Rylie as a baby, crawling around at the neighborhood block parties. I was already aware of this news, of course. The invitation had arrived in the mail two days ago, vividly pink with a handful of red hearts and almost a dozen purple and green flowers decorating the edges. Unless the groom was a botanist, there was no inkling of his presence in the design. To top it off, at the very bottom of the paper, beneath the RSVP notification, was a dried crimson lipstick mark. Nine months since I’d seen her, and I could still vividly imagine Rylie prepping her mouth with that darkened color she had so adored in high school and kissing each invitation one by one. The invitation was now crumpled up in my suitcase with the rest of my belongings, but the image of it had not left my mind for a second. “Isn’t it great, Lucas?” my mother asked, and I nodded. “She’ll look so beautiful as a bride.” Another nod. “Just wait until you meet the groom. What a charming young man.” At this, I fidgeted with the zipper on my luggage and forced a smile. My father, lounging lazily upon my still-sheeted bed, gave me a knowing smile over the top of his third cookie. My mother promptly smacked it out of his hand. “That’s enough, Tim. Didn’t you hear a word the doctors said? I think one heart attack is quite enough for one year, don’t you?” “I thought two would make a more interesting story at this year’s Christmas party,” my father replied, grinning. And so began an argument that lasted through the remainder of my packing, the long trek downstairs, and into the oversized van waiting for us in the parking lot. It continued as my father stabbed the key into the ignition, as my mother pulled on her seat belt, and as I peered through the window and watched San Francisco—all its big buildings and bustling bridges—disappear into the night. By the time we pulled into the driveway of my childhood home, my parents were just progressing toward the makeup phase of their disagreement, or, as I’d dubbed it over the years, the honeymoon period. They sat, arms tangled in the front seat, kissing and whispering loving platitudes into each other’s mouths with such nauseating enthusiasm that sitting through it was quite like staring at the sun: tolerance came in small doses. I left the car and dragged my luggage up the porch steps alone. I had come home exactly twice since leaving for college, once for spring break and once after my father’s heart attack, and I was greeted the same each time. Homecoming generally went like this: my oldest sister, now sixteen, would nod her head in my direction over the top of her cell phone, give me a hug if I came close enough, and then resume her texting. My brothers, identical in all but their clothing, would rush in for the tackle. And my youngest sister would wave from the couch—a simple twist of her hand—and then return to her TV show. Today it was an old rerun about a teenage spy, and because the theme song was particularly catchy, the wave was even shorter than normal, barely a twitch of her fingertips. I disappeared into my room. From the window of my dorm room in the mornings, I could see the wide expanse of the San Francisco landscape for miles, a hundred buildings huddled together against the fading fog, life bustling below. From the window of my hometown bedroom, I could see the neighbor’s pool. A thoroughly unexciting, lifeless pool. As summer had not technically begun, the water that would soon promise endless good times and relief from the heat was still currently abandoned. A heavy pile of leaves covered much of the surface, but through the spaces between, I could make out a glimpse of the water—a murky, untouched green. Rylie called at half past eleven while I was cleaning the windowsill for the second time. Her voice was shrill and rushed as she screamed into my ear, “Why didn’t you tell me you were home? I had to hear it from my mom, who heard it from your mom, and I feel like I’m in a weird stupid sitcom, because I’m not supposed to be hearing gossip from your mother, Lucas. You’re supposed to tell your friends when you come home. Clay is pissed.” As she spoke, I tucked the phone between my shoulder and ear. Downstairs, my mom was yelling at the twins, and Dad was swearing about the score of a baseball game. I retreated farther into my room and closed the door. “Sorry,” I said. “Sorry?” Rylie let out a long, exasperated sigh, and I thought I could hear her nails tapping against the back of her phone. “Will you meet me somewhere? I haven’t seen you in ages, and everyone misses you. Please?” “Okay.” “Is this how this is going to be now? One-worded conversations?” “Probably.” Rylie laughed, a deep, chest-rattling sort of sound that in no way matched the high, squeaky pitch of her voice. It was for reasons like this I’d stopped trying to understand her in the third grade. “You’re an ass, Lucas. Meet me at the flower shop across from the grocery store, okay? Ten minutes, don’t be late. Oh, and Todney is going to be there. I can’t wait for you to meet him. Don’t be late.” “We have a grocery store?” “Goodbye, Lucas.”